“… an extensive Fantasy for solo piano by Laura Kaminsky (N.Y. premiere) explored, in episodic fashion, piano sonorities from Debussyesque gongs and watery burbles to jazzy dialogue between the hands … with its moderation of expression and close attention to nuance and detail, [the piece] often had one imagining an atonal Amy Beach composing “A Hermit Thrush at Eve” in 2017. Oppens’s insight into the score, communicated through a varied tonal palette and keen-eared voicing, was a reminder of why composers from John Adams to Elliott Carter have queued up to write pieces for her.” – New York Classical Review